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VPI HW-40 turntable, Schroeder Tonearms, Miyajima and Tzar Cartridges, Mytek DAC, Metal Mat’s Platter Mat, Butler Amplification, Electrostatic Solutions Quad Loudspeakers, Finley Audio cables, Wax Rax Racks

That Robin Wyatt (aka Robyatt) knows how to put on a show is obvious. That he assembles a fine sounding room is also a given. So, when Wyatt enlisted recording/mastering engineer Tom Fine to discuss and play records, representing the work of his parents, Robert Fine and Wilma Cozart Fine, the result was predictable: Standing room only crowds. Hearing Fine discuss and play Janos Starker and other Fine productions was a thrill.

Robin’s analog front-end in the “Democracy” room consisted of a skeletal VPI HW-40 turntable with a 12″ Fatboy tonearm ($15,000) mounted with a Miyajima Infinity Mono ($3350); a second arm—the Schroeder SQ Reference ($9950) —carried a Miyajima Destiny cartridge ($7500). A Schroeder BA Tonearm ($4850),) and Tzar DST cartridge ($10,000) were on passive display. The rest of the system was a Mytek Manhattan II Preamplifier ($6000 base, plus extras), Metal Mat’s CU180 Cirrus Platter Mat ($1375), Butler Monad power amplifiers ($19,000/pair), Electrostatic Solutions Quad 57s ($6000), Finley Audio cables, Wax Rax LP-H Console ($8500), TT-1 Turntable Stand ($7000), and LP-C Record Pedestal ($1650).

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